Secretary (2002), directed by Steven Shainberg, is a daring and darkly romantic exploration of power, submission, and unconventional desire. Starring Maggie Gyllenhaal and James Spader in career-defining roles, this indie gem blends eroticism, dark humor, and genuine emotional depth to create a love story that defies traditional norms. While provocative, it’s also surprisingly tender—a film that challenges societal taboos while never losing sight of its characters’ humanity.
Plot and Themes
The film follows Lee Holloway (Gyllenhaal), a young woman recently released from a psychiatric hospital after self-harming, as she takes a job as a secretary for the stern, enigmatic attorney E. Edward Grey (Spader). What begins as a typical employer-employee relationship soon evolves into something far more complex—a consensual BDSM dynamic where discipline and control become expressions of intimacy.
At its core, Secretary is about two damaged people finding connection in the unlikeliest of ways. Lee, struggling with low self-worth and a stifling family life, discovers empowerment in submission, while Edward, trapped in his own repressed desires, finds release in dominance. The film doesn’t sensationalize their relationship; instead, it portrays it with sensitivity, highlighting how their unconventional bond allows them to heal.
Performances and Chemistry
Maggie Gyllenhaal delivers a fearless, luminous performance as Lee, capturing her vulnerability, curiosity, and gradual self-assurance with remarkable nuance. James Spader is equally compelling, balancing icy detachment with barely concealed longing. Their chemistry is electric, making their unconventional romance believable and deeply affecting.
The supporting cast, including Jeremy Davies as Lee’s well-meaning but ill-suited boyfriend and Lesley Ann Warren as her overbearing mother, add layers to Lee’s journey, emphasizing why she’s drawn to Edward’s world.
Direction and Tone
Shainberg’s direction walks a delicate line between surrealism and realism. The film’s aesthetic—washed-out colors, claustrophobic framing—mirrors Lee’s emotional state, while moments of dark humor prevent the story from becoming overly grim. The BDSM elements are portrayed with a matter-of-factness that feels refreshing; this isn’t exploitative titillation but an honest depiction of a relationship that works for these characters.
Strengths and Controversies
Secretary’s greatest strength is its refusal to judge its characters. It presents their relationship without moralizing, trusting the audience to understand its emotional truth. However, the film’s unflinching portrayal of power dynamics and self-harm (Lee’s cutting is shown explicitly) has sparked debate. Some argue it romanticizes unhealthy behavior, while others praise its empathetic, non-judgmental approach.
Final Verdict
Secretary is a one-of-a-kind film—simultaneously provocative, funny, and deeply romantic. It’s not for everyone, but for those open to its unconventional love story, it’s a profoundly moving experience. Gyllenhaal and Spader’s performances are unforgettable, and Shainberg’s direction ensures the film lingers long after the credits roll.
Rating: 4.5/5 – A beautifully twisted romance that redefines love on its own terms.
Would I recommend it? Yes—if you’re open to challenging, character-driven stories about desire and connection. Fans of The Piano Teacher or Blue Valentine might appreciate its raw emotionality.
